In this exclusive interview, Dr. Dax offers a glimpse into his artistic process, from finding inspiration in personal reflections to embracing challenges as part of the creative journey. Discover how this Atlanta icon transforms energy, words, and life experiences into vibrant works of art.

Discover Dr. Dax’s work on his Artist Feature Page.

Q: How do you start a new piece?

A: I start most of my pieces by reflecting on what’s going on in my life and on words that I am living by or being inspired by. Usually, I write a simple quote about it, and that becomes the foundation of my new painting.

Q: What inspired “The Other Side of Paradise”?

A: My project/solo show, “The Other Side of Paradise” at ABV Gallery, was inspired by coming full circle to the Everglades, where I spent the early part of my childhood. It’s also the name of my mother’s neighborhood, where I created the show.

Q: How do you move from idea to finished artwork?

A: I usually start by choosing my colors and letting them flow freely, putting up the design in a very energetic way without stopping. I like that energy to come through in the finished work, and I work it until it feels balanced and complete.

Q: Which tools or materials are essential to your process?

A: I’m very open about mediums and tools. I like to be resourceful and use whatever I have access to. Pretty much nothing is off-limits.

Q: Do you have any habits or routines that help you focus?

A: I’ve been doing a lot of yoga, meditating, and reflecting. I like to clear my mind and be completely present while making my pieces.

Q: How do you handle challenges while creating?

A: I accept challenges while creating. I love overcoming them and seeing what I can discover in the process. I like to improvise and adjust to overcome any hurdles that might arise. I consider this part of the creative journey.

Q: Do you plan your composition fully or figure it out as you go?

A: The only plan I usually have with my composition is the words I am including, and I typically give birth to the piece on the spot. Each painting marks a moment in my life.

Q: What part of your process do people often miss or misunderstand?

A: I suppose most of the time people miss the intentions I put into a painting unless I explain them. I don’t necessarily want people to take the words literally, but rather to experience the painting as an abstract. When it comes to graffiti, it’s a different story. Graffiti is usually my name and is entirely focused on style.

Q: How has your process evolved over time?

A: My process has changed over time. These days, I like to construct, deconstruct, and reconstruct, getting into a place of energy and play.

Q: How do you know when a piece is finished? 

A: The piece will be finished when that reveals itself. It’ll feel balanced and complete, with a feng shui of sorts.