At Rust-O, we’re always inspired by the creativity and passion of artists who bring their visions to life in unique and unexpected ways. In this exclusive interview, we sit down with Vizie, a talented artist known for his dynamic and colorful work, to explore his creative process, inspirations, and the tools that help him bring his ideas to life.

From finding inspiration in everyday moments (like the colors of a salad!) to adapting to challenges on the fly, Vizie shares a candid look at what it takes to create art that speaks to its surroundings. Whether you’re an artist yourself or simply curious about the journey behind the paint, this interview offers a glimpse into the mind of a seasoned creator.

Dive in and discover what fuels Vizie’s artistry, how his process has evolved over time, and the lessons he’s learned along the way.

Discover Vizie's work on his Artist Feature Page. 

Q: What is your artist name you like to go by?

A: Vizie

Q: How do you start a new piece?

A: Sometimes I will freestyle and make it up on the spot but lately I have been drawing a bit more beforehand. When I draw, I’m usually able to come up with more interesting ideas instead of using my same old bag of tricks.

Q: What inspired the piece for this video?

A: I really just wanted to paint something quick and fun, sometimes I just need to spray some paint. Doing a quick piece is a good way to clear my head. The only real inspiration I had for this was in the color scheme, which I pulled from a picture of a salad I made.

Q: How do you move from idea to finished artwork?

A: Usually, I will start with a sketch for a piece, from there I try to find a color inspiration that will fit. I comb through my inspiration images that I save and can usually find a general direction I’d like to go with the colors. Sometimes I like to just lay out all the paint and pick what feels the best or jumps out at the moment. Once I start painting, I have a general direction in mind, but I keep open to change, letting things adapt to the situation, the space and if/when I’m painting next to someone can determine a lot of what goes on in and around my piece. I will try to paint until I feel like I have done enough, sometimes this can take all day, or if it’s something quicker, I just set a time limit for myself and try to stick to that goal.

Q: Which tools or materials are essential to your process?

A: I think it’s kind of nerdy, but a variety of caps (nozzles, tips etc.) is essential for me. Over the years these things have developed so much, and everything exists to give you an advantage, why not use it. For the record, I can use whatever I have available, and I think that is a skill, but I try to not make it hard on myself unnecessarily. I used to try to be a purist and not rely on having to bring specialty tips everywhere I go, but now it just feels foolish not to.

Q: Do you have any habits or routines that help you focus?

A: When I’m painting, I really try to stay off my phone, for so many reasons it can be a major distraction.

Q: How do you handle challenges while creating?

A: I try to go into everything with the possibility that I may have to adapt. When painting walls, there can be a lot of problems that arise and you need to be able to be open to adapting to them.

Q: Do you plan your composition fully or figure it out as you go?

A: I try to let the location speak to the finished product. I usually go in with a solid plan but let the spot dictate the outcome. For larger murals or pieces, I will plan more since they can be more work, but every location has its obstacles.

Q: What part of your process do people often miss or misunderstand?

A: I think with graffiti people misunderstand the level of work it takes to create something seemingly simple. Years and years of painting go into every piece you do, from color theory, letter structure and skill of execution, there is a rich history behind a seasoned artist.

Q: How has your process evolved over time?

A: I guess I just try to have fun when I paint. When I was younger, I was very focused on skills and execution, now that I’m older, I allow myself to get weird and if it looks off, sometimes that’s better.

Q: How do you know when a piece is finished?

A: I try to just match who I’m painting with, if the person next to me is still painting, I’m still painting.

Q: Any last words?

A: Not usually, no.

To see Vizie in action and view the piece discussed in this interview, check out the featured video on Instagram.